Friday, May 29, 2009

Executives - Parenthesis






Parenthesis/Got My Woman/Christopher Robin/Summerhill Road


Like The Allusions, and The Affair, not enough recognition has been accorded to The Executives. They shared with those bands a polished, musicianly approach, although they fared considerably better than most of their contemporaries in the longevity stakes. They were also quite successful in commercial terms -- they scored several Top 40 hits, including two consecutive Top 5 singles in Sydney, and they were widely regarded as being Australia's most sophisticated pop group. They are also notable as one of the very first Australian groups to produce their own recordings.
This polished sextet was founded by husband and wife Brian and Carole King in Sydney in late 1966, quickly gaining 'must-see' status around inner-city venues. Their musical expertise and versatility was unequalled for the time, and between them the six members could play thirty-one instruments, ranging from violin to harpsichord. In January 1967 they released their debut single, "Wander Boy" backed by a cover of The Addrisi Brothers' "You're Bad". The moody, wistful a-side was highly rated by Sydney radio DJs and sold well there.



It was the one-two punch of follow-up 45s in mid-'67 that cemented The Executives' reputation. "My Aim Is To Please You" was a beautifully arranged and recorded mid-paced ballad, which displayed to excellent effect the multi-layered twinned lead vocals of Gino Cunnico (formerly lead singer of The Affair) and Carole King, together with the deft electric piano flourishes of Brian King.Many listeners mistook the Execs' new single for an American recording, perhaps by The 5th Dimension or The Mamas & the Papas (whose styles obviously had a strong influence on The Execs) before discovering to their considerable surprise that it was a home-grown product. "Aim" became a sizeable national hit, peaking at #26 on the Go-Set chart in September. It paved the way for their biggest seller, the lush, majestic Steven Stills song "Sit Down I Think I Love You" (originally recorded by Buffalo Springfield on their debut album). It was a Top 30 hit on most capital city charts during October 1967 and was especially successful in Sydney, where it peaked at #4, and it reached #28 on the Go-Set chart in December.
During 1968 they released a trio of self-produced singles, making them one of the very first Australian bands to produce their own recordings. The first was the brisk and catchy "It's A Happening World" (March) written by Brill Building doyens Barry Mann & Cynthia Weill, which made the Top 40 in Sydney and Brisbane. The second was an irresistible slice of pure pop called "Windy Day" (June); originally recorded by US band The Lewis & Clark Expedition, it was another big success for The Executive in Sydney, where it reached #7. The third single was a glistening bauble of psych-pop whimsy, "Summerhill Road" (December), co-written by Ray Burton and Garry Paige, as was the single's flipside, "Christopher Robin". The follow up in 1969 was "Parenthesis " my favourite Executives song backed by "Got My Woman".

exerpts fromhttp://www.milesago.com/Artists/executives.htm

All files are in Wave format

Here for you to download is the EP

http://www.megaupload.com/?d=CVX5N1UE


1927 - Ish



To Love Me/That's When I Think Of You/If I Could/You'll Never Know/Compulsory Hero/All The People/Nothing In Universe/Propaganda Machine/Give The Kid A Break/The Mess

Formed: 1987Style: Pop rockOriginal line-up: Eric Weideman (vocals, guitar)Garry Frost (guitar, keyboards, vocals; ex-Moving Pictures)Bill Frost (bass, vocals)James Barton (drums, vocals)
Alongside Men at Work's Business as Usual, Sydney band 1927's album ... Ish was one of the most successful Australian debut albums of the 1980s. The Album ...Ish attained five times platinum status by racking up sales of more than 400 000 copies ...
Garry Frost was best known for his role as guitar player/songwriter with Moving Pictures. He penned the band's massive hit single 'What About Me?' before leaving the band after its second album. He formed a short-lived duo, Roberts Frost, with singer Brenton Roberts, but when that project failed to warm any hearts he retired to his home studio in Sydney to write. In late 1986, he saw vocalist Eric Weideman performing The Police's 'Roxanne' on the Red Faces segment of popular Melbourne television variety show Hey Hey It's Saturday. Frost knew that Weideman was the perfect singer for his unrecorded songs, and the ideal frontman for this new band. Frost drove all the way to Melbourne in order to snare the singer. With Frost's youngest brother Bill on bass and drummer James Barton, the line-up of 1927 was complete.
Frost spent a year attempting to get a deal for the band and every record company in the country knocked him back. Eventually producer Charles Fisher (who had worked on Moving Pictures' Days of Innocence album) signed 1927 to Trafalgar Productions which he ran in conjunction with Hoodoo Gurus' Dave Faulkner and the Gurus' manager Michael McMartin. Fisher produced 1927's debut album, .... Ish (December 1988) which was brimful of stirring, stately pop rock anthems. The album reached #1 on the national chart during April 1989. In the interim, it had produced two Top 5 hit singles 'That's When I Think of You'/'Alright' (July 1988; #4 in September) and 'If I Could'/'Not Talking' (October; #3 in December). More hit singles, 'You'll Never Know'/'Willing and Able' (#17 in February 1989), 'Compulsory Hero'/Propaganda Machine' (#8 in April), 'To Love Me'/'All the People' (June). ...Ish stayed on the chart for a year. 'That's When I Think Of You' also made the UK chart when it peaked at #46 in April 1989.
The band won the 1988 Australian Record Industry Association (ARIA) Awards for Best Debut Single ('That's When I Think of You') and Best Debut Album (shared with Rockmelons' Tales of The City). By that stage, Weideman had become something of a pin-up idol courtesy of his photogenic appearance and boyish good looks. Frost added Charlie Cole (keyboards;ex-Moving Pictures) to the line-up, and the band toured for a year in support of ...Ish. In late 1989, as 1927 was in the process of commencing work on its new album, founder member and principal songwriter Garry Frost left the band. The parting was an amicable one, and the songwriting emphasis shifted to Weideman. Australian Encyclopedia of Rock .

320 kbps

Download here

http://www.megaupload.com/?d=V6DCPRA0

Tuesday, May 26, 2009

Icehouse - Tenth Anniversary Bonus Pack



Anything Can Happen/"V"/Sorry/Think Zink


Icehouse is an Australian rock band, formed as Flowers in 1977 in Sydney. Initially known in Australia for their pub rock style, they later achieved mainstream success utilising synthpop and attained Top Ten singles chart success in both Europe and the U.S. The mainstay of both Flowers and Icehouse has been Iva Davies (singer-songwriter, record producer, guitar, bass, keyboards, oboe) supplying additional musicians as required. The name Icehouse, which was adopted in 1981, comes from an old, cold flat Davies lived in and the strange building across the road populated by itinerant people.
Davies and Icehouse extended the use of synthesizers particularly the Sequential Circuits Prophet-5 (”Love in Motion”, 1981), Linn drum machine (”Hey Little Girl”, 1982) and Fairlight CMI (Razorback trailer, 1983) in Australian popular music. Their best known singles on the Australian charts were “Great Southern Land”, “Hey Little Girl”, “Crazy”, “Electric Blue” and “My Obsession”; with Top Five albums being Icehouse (1980, as Flowers), Primitive Man (1982) and Man of Colours (1987).
Icehouse’s iconic status was acknowledged when they were inducted into the Australian Recording Industry Association (ARIA) Hall of Fame on 16 August 2006. ARIA described Icehouse as “one of the most successful Australian bands of the eighties and nineties… With an uncompromising approach to music production they created songs that ranged from pure pop escapism to edgy, lavish synthesised pieces…” Icehouse has produced eight Top Ten albums and twenty Top Forty singles in Australia, multiple top ten hits in Europe and North America and album sales of over 28 times Platinum in Australasia alone. As of 2006, Man of Colours was still the highest selling album in Australia by an Australian band.

From Wikipedia


This bonus pack was released in 1990 to coincide with the Tenth Anniversary of Icehouse there were two 7" singles in the pack one with "Anything Can Happen/ V " the other Disc had two live cuts One the Easybeats "Sorry" and the other T-Rex's "Think Zinc" both live tracks were recorded live in Studio 301 in Sydney in August 1980.


All Files are in Wave Format

These tunes can be found here

http://www.megaupload.com/?d=1LU64O3T


Monday, May 25, 2009

Ernie Sigley - and Here's Ernie


Hey Paula/Any Dream Will Do/When I See You Smile Again/Jean/My Sentimental Friend/Love Is A Golden Ring/That's Why You
Remember/Candy Man/The Three Bells/Seasons In The Sun/Your'e Sixteen/Just Thank Me

Ernest William "Ernie" Sigley born 2 September 1938, in Footscray Victoria is an enduring Aussie entertainer known for his square-rimmed spectacles, the gap between his front teeth and his Slapstick approach to comedy . Ernie has had a long career in Australian radio and television,
Sigley's radio career began in 1952 as turntable operator on Danny Webb's breakfast program at radio station 3DB Melbourne. Ernie made his TV debut as host of Teenage Mailbag on HSV 7 in 1957. Ernie then took a gamble and left for England to try his luck and while in London gained some work experience at the BBC and then had a big break when he landed a two year contract at Radio Luxembourg.

Returning to Australia in the mid-'60s, Sigley went to Adelaide where he took over as host of NWS9 's Adelaide Tonight . Hosting Adelaide Tonight for almost a decade led to Sigley and co-host Anne Wills scoring a swag of TV Week Logie awards for most popular personalities in South Australia. In 1974, Sigley returned to Melbourne to host The Ernie Sigley Show at GTV9 , this paired him up with former go-go dancer Denise Drysdale .They both went on to win TV Week Gold Logies as most popular personalities on Australian television and also had recording success with their single 'Hey Paula' becoming a best-seller. The show ended in 1976.

In 1981, after a break from TV Ernie returned to host the Seven Network 's new game show Wheel Of Fortune he compered Wheel of Fortune until 1984. Since then Ernie has hosted various radio and television shows . His las job was the radio annoncer on 3AW'S Afternoon slot but in 2008 Ernie Sigley retired at age 70.

This is the album that Ernie release in 1974 it has the hit that he and Denise Drysdale recorded Hey Paula.


320kbps


http://www.megaupload.com/?d=3NK1P8C0


Carol Hitchcock - Get Ready







Get Ready/More Than Words Can Say






Carol Hitchcock is an Australian Singer and actor.
Hitchcock was a recording artist for Mushroom Records in Australia in the late 1980s. She was well known for her very severe look; a bald head, nose ring and many ear piercings. Before her recording career she was a model and also part time bouncer for various Melbourne nightclubs.


In 1987 she flew to London to record the Temptations's Mowtown classic "Get Ready" with hit makers Stock Aitken and Waterman. She also recorded a second song for the B-side, "More Than Words Can Say, "Get Ready" was a Top 40 single in Australia but in the UK it flopped, peaking at #56 .


Hitchcock also did some acting, mostly as an extra in Australian Telemovies, including an appearance in an episode of Prisoner.





All files are in Wave format





You can download this single here

http://www.megaupload.com/?d=JS8IVRC0

Sunday, May 24, 2009

Freshwater - Satan


SATAN/SATAN'S WOMAN


Freshwater was a New Zealand band put together in 1968 by guitarist Murray Partridge, he was the only constant member . They were originally formed as a blues group, who very early in their life decided that Australia was the place to be, in May 1969 they landed in Australia. They signed with the W&G label, and issued two singles "Together, Till the End of Time" (August) and "Son of A Lovin' Man" (October).In 1970 they took on a more progressive influence in the style of Cream, Traffic and Hendrix, and in May that year they released the highly-regarded single "Satan" / "Satan's Woman" on the Caesar's International label .


The single was a double-sided "concept" suite, inspired by the murder of Sharon Tate by the Manson Family. The A-side "Satan" was written by organist Peter Sheehan and the B-side "Satan's Woman" by Murray Partridge. The title and subject matter were so controversial at the time that it sent conservative Sydney radio stations into a spin and there were calls for the single to be banned, but it still managed to reach #28 on the Sydney charts.


All files are in Wave Format

Here for you to download is that single


http://www.megaupload.com/?d=9YLV5JOB

Johnny Farnham EP




Sadie The Cleaning Lady/In My Room/ Friday Kind Of Monday/I Don't Want To Love You








This EP was released in 1967 and has the hard to find B side In My Room on it and the first single Sadie that started it all for Johnny.


John Peter Farnham was born in Dagenham Essex UK, on 1 July 1949,John spent his first ten years in England before his family emigrated to Australia in 1959 to live in Melbourne. He attended school at Yarraman State School, Lyndale Primary School and Lyndale High School. In school holidays John worked with a plumber and soon he began a plumbing apprenticeship and left school, in 1967 he took two years leave from his plumbing job to pursue his music career.


John's first commercially successful recording was a novelty song entitled "Sadie the Cleaning Lady", John's manager Darryl Sambell had disliked it as the lyrics were To repetitious However, EMI in house producer, David MacKay, insisted and so the single was released in November 1967. By arrangement with Sambell, Melbourne radio DJ Stan Rofe pretended that he disliked "Sadie" before playing it. Rofe continued the ploy on TV's Uptight and viewers responded with calls to play the song. It hit #1 on the Australian Singles Charts in January 1968 and remained there for 6 weeks. Selling 180 000 copies in Australia, "Sadie" was the highest selling single by an Australian artist of the decade.






All files are in Wave Format



Here for your listening pleasure is the EP



http://www.megaupload.com/?d=7VGYFM6H

Marty Rhone "Don't Look Back"

Don't Look Back/The Day The Letter Came

Marty Rhone will forever be synonymous for his two seventies hits "Denim And Lace" and "Mean Pair Of Jeans" - but to fanatics of Australian music of the sixties - he is fondly remembered for a string of classic songs which seem rather advanced for their vintage.
Marty was born Carl Van Rhoon, on 7th May 1948. A slight, young and shy singer of Dutch-Indonesian descent, he started singing at an early age, and when he was 17 went straight from school to a professional singing career.

Marty Rhone and The Soul Agents joined forces and became part of Nat Kipner's Spin Records roster along with Steve & The Board, the Bee Gees, Jeff St. John & The Id, Tony Barber, The Dave Miller Set and Ronnie Burns.
The next twelve months was a hectic schedule taken up with recording, touring and television appearances. The first single, "Nature Boy", was released on the Spin Label in 1966, followed by "Thirteen Women", "I Want You Back Again", "She Is Mine" and Marty's own composition entitled: "Village Tapestry" - (the Bee Gees did guest backing vocals on both 'She Is Mine' & 'Village Tapestry'). "Village Tapestry" is now considered a minor classic and has since been critically recognised as being way ahead of its time.

With all the single releases, chart success eluded Marty and the Soul Agents, even with such a compelling original track as "Village Tapestry".
In 1967, The Soul Agents took on a full-time residency performing at one of Sydney's biggest Nightclubs, and Marty moved to Melbourne where he continued to do television and personal appearances and remained there until early 1970 when he was conscripted into the army for a two-year period.
Out of his battle greens in 1972 Marty recorded this single' the B side being written about his conscription into the army.

All files are in Wave format